Filozofijas un kino attiecības Alēna Badjū teorijā
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Latvijas Universitāte
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lav
Abstract
Maģistra darbs “Filozofijas un kino attiecības Alēna Badjū teorijā” pievēršas jautājumam par to, kādā veidā attiecības ir iespējamas starp kino un filozofiju. Kāds ir šo disciplīnu mērķis šādās attiecībās? Badjū šādu attiecību iespējamību uzrāda caur vairākiem savas teorijas konceptiem: patiesība, situācija, notikums, tukšums. Šāda pieeja kino un filozofijas attiecību definēšanai uzrāda vairākus būtiskus priekšnosacījums kino kā filozofijai. Kopumā Badjū teorija kino un filozofijas attiecības uzrāda kā priviliģētas, nepieciešamas, imanentas un vienreizīgas.
The master thesis topic “The relation between philosophy and cinema in Alain Badiou's theory” points out the main question ‒ how does the relation between philosophy and cinema work? What is the aim of the mutual transformation of these two disciplines? Badiou uses some of his central concepts to show the transformation possibilities between philosophy and cinema: truth, situation, event and void. His theory demonstrates the conditions for the film as philosophy. To sum up, Badiou theory shows the relation between philosophy and cinema as privileged, necessary, imanent and singular.
The master thesis topic “The relation between philosophy and cinema in Alain Badiou's theory” points out the main question ‒ how does the relation between philosophy and cinema work? What is the aim of the mutual transformation of these two disciplines? Badiou uses some of his central concepts to show the transformation possibilities between philosophy and cinema: truth, situation, event and void. His theory demonstrates the conditions for the film as philosophy. To sum up, Badiou theory shows the relation between philosophy and cinema as privileged, necessary, imanent and singular.