Laikmeta atspoguļojums Rīgas Kinostudijas M/F “Ezera sonāte” un “Limuzīns Jāņu nakts krāsā” un to literārajos pirmavotos
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Latvijas Universitāte
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lav
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Bakalaura darbā „Laikmeta atspoguļojums Rīgas kinostudijas m/f „Ezera sonāte” un „Limuzīns Jāņu nakts krāsā” un to literārajos pirmavotos” tiek pētīts, kā septiņdesmitajos gados un astoņdesmito gadu sākumā sabiedrībā aktuālas tendences, negācijas tika attēlotas šo konkrēto filmu literārajos pirmavotos- Regīnas Ezeras romānā „Aka” un Māras Svīres garstāstā „Limuzīns Jāņu naksts krāsā”, un kā filmu izveides procesā, pašcenzūras un cenzūras iespaidā šo negāciju attēlojums transformējās un tika atainots abās filmās. Tāpat darbā nozīme ir pievērsta kopējai kultūrpolitikai Latvijas PSR, it sevišķi izceļot daiļliteratūras un kino nozari. Atslēgvārdi: kino, daiļliteratūra, cenzūra, negācijas.
The Bachelor Paper ‘’Age Reflection in Literary Primary Source and Cinematography in Riga Film Studio Films ‘’Ezera sonāte’’ and ‘’Limuzīns Jāņu nakts krāsā’’ ” deals with topical tendencies and negations of society in the 70ies that are described in the literary primary sources – Regina Ezera’s novel ‘’Aka’’ and Māra Svīre’s novelette ‘’Limuzīns Jāņu nakts krāsā’’. The present Paper also describes how the representation of negations was transformed and shown in both films during the process of making these films and also being influenced by self-censorship and censorship. As well as that, the Bachelor Paper tells about the importance of LSSR cultural policy, especially stressing on fiction and filming industry. Key words: cinematography, fiction, censorship, negations.
The Bachelor Paper ‘’Age Reflection in Literary Primary Source and Cinematography in Riga Film Studio Films ‘’Ezera sonāte’’ and ‘’Limuzīns Jāņu nakts krāsā’’ ” deals with topical tendencies and negations of society in the 70ies that are described in the literary primary sources – Regina Ezera’s novel ‘’Aka’’ and Māra Svīre’s novelette ‘’Limuzīns Jāņu nakts krāsā’’. The present Paper also describes how the representation of negations was transformed and shown in both films during the process of making these films and also being influenced by self-censorship and censorship. As well as that, the Bachelor Paper tells about the importance of LSSR cultural policy, especially stressing on fiction and filming industry. Key words: cinematography, fiction, censorship, negations.